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The death of Prince Albert - Part Two

In a continuation of our two-part series, our Historian, Elizabeth Jane Timms, looks back at the death of Prince Albert: The passing of the Prince Consort is, of course, synonymous with the Blue Room at Windsor Castle, where it took place, a room which I have researched for some six years. The room had been that in which Queen Victoria’s ‘Uncle King’ George IV had died on 26 June 1830. It…
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The death of Prince Albert - Part One

In a two-part series, our Historian, Elizabeth Jane Timms, looks back at the death of Prince Albert: Prince Albert, the beloved husband and Prince Consort of Queen Victoria, died on 14 December 1861, at Windsor Castle. So enormous were the consequences of this death, both…
FeaturesHistory

Royal Snow and Snowmen

The onset of winter provides another opportunity to look again at the links between the many fascinating outdoor pastimes and pursuits enjoyed by royalty, which I touched on in my article of December 2017, Snow and Royalty. Whilst the German Christmas was much popularised by…
FeaturesHistory

A Brief History of Frogmore Cottage

With the announcement that Frogmore Cottage will become the residence of The Duke and Duchess of Sussex at Windsor, it is perhaps interesting to briefly review Frogmore Cottage’s history. Contrary to popular imagination, it is not the first time that the building has served as a residence for royalty. ‘Bark writes that you offer me a Cottage at Windsor. Words fail me to express all I feel…
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Victoria: Becoming Queen with a Dressing Gown

The first thing that Princess Victoria did on the morning of 20 June 1837 was to reach for her dressing gown. This historic moment in the Queen’s life has always held a particular fascination for me, and I have regularly revisited it from various angles, from profiling the Archbishop of Canterbury who knelt before her that morning with the Lord Chamberlain, Lord Conyngham, to the staircase she…
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Queen Victoria's Widow's Cap

The white caps worn by Queen Victoria have – correctly – come to be regarded as a symbol for her widowhood. They represent one of the few contrasts in colour to the deepest mourning that she adopted after 1861, as a declaration in textile, of the colossal emotional significance to her of the Prince Consort’s death. White had, of course, been symbolic of her wedding to Prince Albert…
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