The royal bed was a symbol of power as well as being a powerful symbol. Almost like a throne, it ultimately stood for status and royal authority, providing the background for such ceremonies as the monarch’s ‘lever’ and ‘coucher’ rituals – the public “rising”, waking and “dressing” of the monarch down to the “putting to bed”, retiring and “undressing”. We would imagine a bedchamber as a private space – and today’s royal bedrooms certainly are – but this is also due to the fact that privacy was more the exception and not the rule. Most of the monarch’s life was played out in public, so that in order to attain privacy, a separate space had to often be the place where this was possible, next to the one which officially had this function. This is why there were often two bedchambers – the King could be ‘put to bed’ in the great bedchamber, the actual man in the other. One of the most important British historic beds to survive is that thought to be the so-called ‘Mary of Modena’ bed.
The state bedchamber formed the setting for these important functions, the King often using a state bed only rarely, preferring to retreat in fact to a smaller bedchamber to actually sleep, once these public rituals were completed. The reason for these ceremonies was quite simple – like the series of rooms which led to the bedchamber itself, so designed as to emphasise the privilege of those courtiers, statesmen and guests who measured the royal favour by how far they were allowed to penetrate this series – it all served to underline the power of the monarch through the intimate personal access that was allowed to him. These ceremonies emphasised the importance of the King’s presence and the privilege could be shown through simply the access that had been granted to witness the event, or the tasks allotted to those who were allowed to attend. Everything was meant to illustrate the route of access to the King, even the rooms themselves which led to him – from the privy chamber through to the “holy of holies” itself – something which is well illustrated in the series of rooms in the King William III apartments at Hampton Court, for example. Henry VIII had his great state bedchamber but normally slept in a second privy bedchamber reached through it, preferring not to sleep in his bed of state – a pallet or a truckle bed could be pulled out of his actual bed for the use of the Groom of the Privy Chamber who attended him. These ceremonies themselves, of course, had older origins – Henry VIII used his beds of estate for formally rising and retiring – they arguably became their most formalised at the court of Louis XIV, where these public functions became an integral part of Versailles’s ceremonial code – the ‘lever’ itself leading to a ‘grande’ and ‘premiere’ entry, the ‘lever’ being attended by the more privileged few, in the King’s actual bedchamber. The balustrade surrounding the bed served to symbolise the public/private divide, which the monarch would pass between. Again like a throne, the bed seemed to be where the monarch literally ruled from. Louis XIV converted the central room at Versailles from the State Drawing Room into the King’s Bedchamber and died there in 1715. Louis XV slept in a smaller bedchamber but continued to use the King’s Bedchamber for the established rituals of the ‘lever’ and ‘coucher’.
The royal bedchamber was also a space where other events of national importance were supposed to happen – natural events in royal life, such as births, consummation of marriages, the childbirths that followed from these marriages in the next generation, illnesses, deaths. Indeed, the state bed was something of a symbol for royal life, because so many crucial life moments happened in it – although childbirth often took place in special ‘birthing beds’ set up separately in the room for this purpose. Henry VIII’s queens had to undergo the formal ceremony known as ‘taking to her chamber’ – where royal wives retreated to give birth. This is how stories of immense importance have come to be focused around the royal bed, because of the powerful symbol that it became and of what took place in and around it. This was brilliantly illustrated in the 2013 landmark exhibition at Hampton Court Palace by Historic Royal Palaces entitled “Secrets of the Royal Bedchamber”, where six royal historic beds were showcased, and their stories told.
One of these beds is thought to be the extraordinary Mary of Modena Bed – a bed which in many ways, helped to change British history. The Catholic second wife of James II, Mary of Modena, gave birth to a son at St. James’s Palace on 10 June 1688, James Francis Edward Stuart, better known to history as the ‘Old Pretender’. The Catholic James II was not popular, and the rumour was put about by English Protestants that the healthy baby boy had been smuggled as a ‘changeling’ into the palace inside a warming pan, to take the place of a stillborn son. The fact that there was a shred of doubt in the matter meant that despite the witnesses who had attended the birth, the doubts were believed by some and could not be shaken off. The rumour’s initial impact was telling because its effects stuck. The story – almost certainly false – surely serves more to illustrate just how much the Protestants conveniently wanted to believe that it was true, desiring an end to James’s Catholic regime. To accept the baby as the rightful heir would have meant to have accepted a continuation of James’s regime and the firm establishing of a Catholic dynasty in England.
James II’s daughter Mary II had helped in her own father’s overthrow, being invited by the Convention Parliament to accept the throne as a joint monarch together with her Protestant Dutch husband William of Orange (William III) in what became known as the ‘Glorious Revolution’, confirmed in the Bill of Rights in 1689. As Mary of Modena’s sole surviving son, James Francis Edward Stuart became the Jacobite claimant to the British throne – Jacobite comes from the Latin ‘Jacobus’ for James. James Francis Edward Stuart would become the father of Charles Edward Stuart, ‘Bonnie Prince Charlie’ – who carried on the Jacobite claim, was born in exile in Rome and whose campaign most famously came to a head at the Battle of Culloden in 1746, the final quashing of the Jacobite uprising of the previous year. This claim began literally, in this bed.
Today, the unique ‘Mary of Modena’ bed in which this momentous birth is said to have occurred, is kept at Kensington Palace and stands in the Queen’s Bedchamber, within the Queen’s State Apartments. It is a masterpiece of a royal bed and a foremost item of luxury by the standards of the time, particularly in terms of its design and materials. The Queen’s State Apartments were first occupied by Mary II, when she and William moved to Kensington Palace and made it their home. Mary II would relax and entertain friends in this room. Most poignantly though, the room itself is a sad one – Mary II would later die, mourned by a grief-stricken William, in this room – of smallpox in 1694.
Other important historic beds to survive include that of Queen Caroline at Hampton Court and the bed that belonged to Queen Charlotte, consort of George III, the ‘travelling’ bed of George II and the beautiful velvet bed that Queen Anne commissioned as her death bed.