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J.H. Schmidt, from ‘Five Plans of the Royal Palace in Hanover’, 1763. British Library Maps 7.TAB.17.
© The British Library Board
According to Mr. Barber, “You see certain things which are at the very least odd and actually rather disturbing.”
The plan shows a central courtyard that has no visual way of accessing, surrounded by at least four monumental staircases, which Mr. Barber states are “perhaps a little excessive, even for a Baroque monarch”. Along the same lines, some rooms have doors and some do not, meaning there is no way from traveling from one room to the next.
The document is believed to be drawn by George III based not only on the handwriting, but the similarity the drawing bears to other architectural plans drawn by The King. Martin Clayton, head of prints and drawings at the Royal Collection Trust, highlights the style of the document, “It’s enthusiastic, it’s slightly obsessive in places. And the obsessiveness does suggest that it was probably the work of George III around 1788 or 1789 when he was recovering from his illness.”
The Topographical Collection at the British Library contains many other key artifacts from the reign of George III, including highly sensitive and secret documents detailing the fortifications of English settlements around the world. These documents were never intended to be in the permanent possession of the King and if they had been discovered, it would have spelled immediate danger for the Empire.
Despite the historical significance of the collection, it remains largely unknown and the British Library is currently working to raise £1m to catalogue the collection on-line for the first time.
Photo Credits: Courtesy of the British Library; read the British Library’s article here]]>